Von Jessica Ekomane Etoua am 02. August 2016 um 18:10

*UNTOLD STORIESJessica Ekomane, Jasmine Guffond, Silje Nes*

As humans continually try to grasp the underlying systems determining our
physical environment, we are faced with the limitations of our human
perception. Invisible and inaudible infrastructures determine and influence
individual and collective trajectories.

The group exhibition Untold Stories explores the limits of our perception,
and thereby information that is usually inaccessible to us.

The works engage with phenomena that lie outside of the human hearing range
such as wireless networks or the kinetic properties of sub sonic sounds.
Through generative experiments, sound installations and performance, the
exhibition will offer a glimpse into some of the imperceivable structures
shaping our everyday experience.


at *Quiet Cue*
Flughafenstraße 38, 12053 Neukölln, Berlin

Wed. 10 August · 18h
with live performances by Jessica Ekomane
and duet by Jasmine Guffond (Wi-Fi, GPS, Subwoofer) & Anthea Caddy (Cello)

11–14 August · 15–19h


*Jessica Ekomane* was born in France. She now lives and works in Berlin.
Her practice unfolds around sound installations, site-specific sound
interventions and music. She received an honorary mention for the Sonotopia
award 2016 and has been a DAAD scholarship holder.


*Jasmine Guffond* is a sound artist and composer from Sydney AUS, living
and working in Berlin DE. She has performed live internationally, exhibited
sound installations and recorded music for CD and 12inch vinyl releases
with the Staubgold, Monika Enterprise and Sonic Pieces labels. Her recent
projects were interventions that employed digital technologies,
sonification and the aesthetisation of data as a means of generating
discussion around contemporary surveillance technologies as well as
producing experimental audio works. She is a current recipient of the
'Arbeitsstipendium für Neue Music und Klangkunst’ from the Berlin Senate,


*Silje Nes* is based in Bergen NO + Berlin DE, working on various projects
within music, experimental sound and sound installations. She released Ames
Room (2007) and Opticks (2010) on FatCat Records, and has toured
internationally with her music. Taking interest in spacial and physical
manifestations of sound, in her current work she explores the creation of
environments that will express a certain autonomy, removed from
compositorial processes. Her current project is supported by the Norwegian
Arts Council.


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